People love wild birds. For starters we watch them, feed them, rescue them when injured, sculpt them, pen beautiful stories and poems about them, and photograph them.
There is something both reverential and fantastical about these feathered jewels, whether the diminutive bee hummingbird or that great flightless, curious behemoth – the ostrich.
With respect to taking their pictures, birds naturally lend themselves to that photographic moment. Some species like American robins, blue jays and crows are common and regularly seen in the neighborhood while other birds like mallard ducks and Canada geese (when living in suburban settings) can sometimes be closely approached camera in hand…
In the “old days” (just ten years ago!) capturing a technically perfect bird image on film was an ordeal that required an expensive telephoto lens, tripod and endless patience while the exposures were sent out for developing. In some cases, the “turn around” could be a week or more.
However, as seasoned pros and advanced amateur can attest, today’s digital cameras, lenses and home printers are unquestionably as good or often better than their “old school” predecessors from the 1980’s and 1990’s.
Today, digital images of birds are previewed on the camera’s viewing screen. Fuzzy, underexposed or poorly composed images are instantly erased by hitting the camera’s delete button: imagine how much wasted film, chemicals and photo paper this eliminates each year!
Why photograph birds at all? Here are a few ideas to consider: how about creating an avian scrapbook of all the species you encounter at your backyard feeder or on vacation? Some creative folks even self-publish coffee table books on a favorite subject: a wedding, a young person’s hobby, dogs, a vintage car, flower gardens, any topic can become a book.
Digital images make memorable gifts such as postcards, page markers, framed prints or computer screen savers.
Become a two-season hunter. In the off season, waterfowlers and other bird hunters can try their skill at panning and capturing birds in flight. A sharp, full-frame flying bird in the viewfinder generally takes considerable skill and patience – and a little luck – to achieve. Try it sometime…
Most of all, photographing these highly evolved, winged dinosaurs is just plain and challenging fun!
Late April and early May is a good time to photograph Canada geese in New York. These large, ubiquitous waterfowl have come to inhabit suburban and industrial park settings and are quite approachable, but please always treat these fascinating birds and all wildlife with unconditional respect. In addition to doing the right thing, it’s the law!
In the nesting season, Canadas are sometimes known to occasionally charge people and pets that approach too closely. Actually, keeping a safe distance between any bird or mammal, or their nest or den site is wise for several reasons.
We always want to avoid frightening any animal into abandoning its eggs or young. Approaching a nest or den may leave a smelly trail of human scent that attracts hungry foxes, coyotes, feral cats or other predators.
It is a commonly held fallacy that birds can smell human odors, thereby leading to nest desertion. In reality, adult birds constantly survey their nests from a safe distance, and may leave when a person gets too close. But why?
Due in large measure to persecution by humans over hundreds of years, birds have come to view us as a very large threat to their survival. In many cases it is easier for a bird to abandon its nest and start over in a safer place if the upset has occurred early enough in the narrow time range of a species nesting cycle.
With a few preliminary points behind us let’s get outdoors with our cameras in pursuit of birds.
Wildlife photographers seek to create a safe working distance between their feathered or furred subjects by selecting the right telephoto lens for the job. Usually bigger is better, but more expensive also.
Although cost is a factor in selecting a long lens, experiment with the equipment that you already own.
As a rule of thumb, tele lenses in the 200 – 400 mm. focal range leave a 15’ – 30’ distance between the subject (bird) and photographer. Further, digital cameras provide a 1.5x magnification over lenses once used with conventional film cameras.
For example, a 200 mm. lens used on a film camera is equal to a 300 mm. lens on a digital camera body. Even those nifty, wafer thin point and shoots with built in tele lenses in the 3 – 5 megapixel range can adequately capture birdlife.
The accompanying images of Canada geese show a goose and gander at the nest built between a small pond and an industrial haul road used by 40 ton articulating dump trucks rumbling past 140 times each day. Talk about animal adaptation!
The usual assortment of natural predators and scavengers were sharing this area: fox, coyote, raccoon, opossum, skunk, crow and gull.
By Paul Schnell
http://www.ielraptors.org/










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